. Rather painting endures… Painting satisfying the sense of sight is more noble than music which only satisfies hearing. Après son père, son mari lui trouve ses commanditaires, diffuse et vend ses œuvres. Along these lines, as a female blogger, I sometimes find myself concerned with how I portray myself in writing. In addition, Fontana is interested in suggesting her wealth; she depicts herself in lavish clothing and she is sitting in an armchair (poor people owned only stools at this time).7. 1 Kemp, Martin, ed. Lavinia FONTANA, "L'homme sauvage" Histoire & Image, L2 Histoire Lyon Nous traiterons ici, à partir du portrait de Tognina Gonsalvus peint par Lavinia Fontana, de la vie de l'artiste et de la signification du tableau, aussi en le replaçant dans une plus large perspective des représentations de ces raretés de la nature, mi-hommes mi-animaux, dont l'iconographie est remplie à l'époque moderne. While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. An email notification will be sent whenever a new post appears on this site. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. There, she thrived again with the upperclass and formed strong bonds with many noblewomen in her district. community of his many admirers would very much like to see it restored in some form. Artemisia Gentileschi , Autoportrait comme allégorie de la peinture , années 1630, Collection royale . Find more prominent … would potentially benefit. Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Lavinia Fontana, The Holy Family with Saint Catherine of Alexandria, 1581. My problem is that it is difficult for us to establish what the artist’s true values were. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. Renaud Camus has uploaded 25965 photos to Flickr. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. In fact, the painting could be viewed in its entirety as a love knot– as a gift for the bethrothed.” (8) The expensive musical instrument suggests, perhaps falsely, that the Fontana family is financially stable, if not downright wealthy. She wears a dress in the traditional color of Bolognese wedding dresses and is covered in coral, gold and pearled jewelry. (13) Since, “the ‘emblematic significance’ of dress made possible the visible marking out of one’s parental and marital identity,” her clothing choice seems skillfully chosen. Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). all, Lavinia Fontana’s ‘Self-Portrait’ and Gender.”, RT @geminicat7: ✨ Until tomorrow ... 11 McIver, Katherine. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. 401. Elle est née à Bologne , fille de Prospero Fontana , qui était un peintre de l' école de Bologne . Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. Lavinia Fontana: Liste d'œuvres - Toutes les œuvres par date 1→10. Also, because this portrait would be presented next to Sophonisba’s, Fontana most likely attempted to keep up with or even outdo her contemporary. (1988): 4-30. Did she welcome the idea of marrying into a high status family or did she find them pompous bores? For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s. all, Self-Portraits of Women Painters (London: Ashgate/Scolar Press, 2000), p. 60 (revised. This might account for why the musical pages are tilted up at an angle, so they can be easily seen by the viewer. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? 2018 - Explorez le tableau « Lavinia Fontana » de Dieu Dorian, auquel 324 utilisateurs de Pinterest sont abonnés. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Washington: DC: New Academia, 2009). (20) Her confidence and use of male statuettes “re-defines the feminine” and confronts taboos. I will let you know if anything comes of it. There are five self-portraits by Lavinia Fontana that are known: four paintings and one drawing. Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. Print. Ciacon was a Spanish Dominican theologian and scholar who lived in Rome. I’ve never considered the role of the servant very much, beyond how she functions as a symbol of status. 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. . I’m sure that I could be responsible for any reasonable hosting Son autoportrait (Autoportrait au clavicorde, accompagnée de sa servante)et qui date de 1577 ou 78, elle a 25 ans, nous montre en plus qu'elle est belle et qu'elle est musicienne ! I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. Hello Monica, Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter. Vintage Mickey Art ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. For more information, see Liana De Girolami Cheney, et. Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … To overcome this, artists often used self-portraits to emphasis socioeconomic and intellectual status. Autoportrait dans l’atelier (1579) Huile sur cuivre, diamètre 16 cm, Galerie des Offices, Florence. Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter.. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. Continuing the family business was typical at the time. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. I appreciate your taking the time to let me know. Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? at the time and served as her teacher. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. She was one of the first women to execute large, publicly commissioned figure paintings. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. Explore. “Female Self-portraiture in early modern Bologna.” Renaissance Studies. The inscription in the right-hand corner of her portrait states: “Lavinia Fontana married into the Zappi family made this 1579.” In fact, this reference to her marriage was advantageous not only for purposes of societal decorum, but also a way to emphasize her social status, since the Zappi family held a comparatively high status in society. We do not wish to appropriate his content; merely to see his Unsurprisingly, virginity was highly desired by prospective husbands at the time, but I think that Fontana mentions her virginity to fit further societal expectations. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. She was the first woman artist to paint female nudes, and possibly the first female to … Jun 20, 2018 - This Pin was discovered by Emily Aqualime. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. Although I don’t feel that I experience the same difficulties as women in the Renaissance period, I experience an element of self-awareness when I need to portray myself (either visually or in writing). Follow the links above for analysis and research on specific paintings. Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. Vintage Art. Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. Fontana’s earliest self-portrait is quite unique, since it was created as a marriage portrait. Thank you for making the corrections. In addition, her knowledge and learning are emphasized by the fact that she includes a Latin inscription in the upper corner of the canvas. Dec 9, 2014 - ‘Portrait of Antonietta Gonzalez’ was created in 1595 by Lavinia Fontana in Mannerism (Late Renaissance) style. She was a skilled portraitist and was often commissioned by weathly members of the Bolognese elite to create portraits to commemorate influential moments in their lives. XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. For one thing, I’m an art historian who is a woman. If you are interested in seeing information about the remaining three self-portraits which are not discussed in this post, see article by Bohn. musical notation) to Lavinia, which ultimately stresses Lavinia’s education as one who can read music? New Haven: Yale University, 1989, 35-37. 7 King, 73. I wrote about this painting on a guest post at Three Pipe Problem a few years ago, and I regularly use this self-portrait when I discuss Renaissance art with my students. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre les artistes et les mécènes de la ville [2]. (17) Ciacon knew of Fontana’s work and requested she send him “a little portrait of yourself… which can then accompany that of Sophonisba which shall thus be seen and looked at and recognized by everyone as it shall be made into a print among those five hundred illustrious men and women which shall be engraved in copper at the expense of his Grace the Archduke Ferdinand of Austria.” (18). Influenced by painters such as Ludovico Carracci and Sofonisba Anguissola and a practicer of Italian mannerist style, Fontana became highly successful with her detailed and delicate portraits. Lavinia Fontana. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. contact with his thought. Lavinia Fontana, Autoportrait au Clavicorde avec un serviteur, 1577. 12 janv. In the portrait she sent Ciacon, Fontana is seated at a desk with books, statues and paper in front of her. Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. bobconsoli@gmail.com. If Mr. Niyazi was some pedestrian blogger I would not bother but 5 Bohn, 254. Fontana's innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart, Sofonisba … A la différence de sa consoeur ainée, spécialisée dans les portraits, elle exécutait des grandes commandes publiques aux sujets mythologiques et … Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. Lavinia Fontana, autoportrait; ca. Of course, she marks the high status of Lavinia, but what exactly is she doing with musical sheets? See more ideas about fontana, female artists, portrait. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Washington: DC: New Academia, 2009). Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi mais aussi Virginia Vezzi, Orsola Maddalena Caccia, Giovanna Garzoni… Nombreuses sont donc les femmes peintres à s’être frayé un chemin au cœur de l’effervescence artistique et culturelle de la Renaissance ! They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Renaud Camus has uploaded 25646 photos to Flickr. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre [2]. While this portrait is an obvious reference to her artistic career, Fontana still had to keep in mind her appearance for the public eye. Renaud Camus has uploaded 26082 photos to Flickr. We have learned that his web site has now been taken down and the Lavinia Fontana was an Italian painting who was known as the first female painter to paint female nudes. Her family relied on her career as a painter, and her husband served as her agent and rai… The following post first appeared on Three Pipe Problem in March 2011. UPDATE: Since writing this initial post in 2011, I have written more about Lavinia Fontana’s “Self-Portrait” for the Ciacón collection elsewhere on my blog: “Lavinia Fontana’s ‘Self-Portrait’ and Gender.”. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. The placement of a maidservant behind her, along with her richly colored wardrobe also helped to convey Fontana as financially stable. I have written the following e-mail to Hasret Celalettin of Latrobe University in Australia. Lavinia Fontana. She is one of my favourites! Lavinia Fontana, born in Bologna in 1552 to Prospero Fontana, became one of the most popular Italian painters of her time. As Catherine King points out that in terms of self-portraiture, “the act of showing oneself to another was very different for a young woman than it was for a young man.”4 Hence, female artists needed to be careful in how they presented themselves in portraits. erudition on display again for those who knew him and for those who have yet to come into Excellent post, which I didn’t see the first time. It is not until Lavinia Fontana’s Self Portrait at the Keyboard of 1577 and shortly after, her Self Portrait in the Studiolo from 1579, that the first portrait directly referring to the artist’s vocation, artistic labor, appears. In the meantime, I would like to make this post I wrote available again, in Hasan’s memory. Web. . (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. Son père est peintre de la contre-réforme très en vogue auprès des papes. Biography. Thank you for your citation and information. 4 Jul. Discover (and save!) Dear Ms. Celalettin, With good wishes, Liana. Few artists, especially women artists, would risk expressing their true feelings in writing. your own Pins on Pinterest Lavinia Fontana. Lavinia Fontana. Web. Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. Currently, the content of Hasan’s blog is no longer online, although I hope that will change in the near future. incorrect it was not Bohn, but I, who was the first scholar to observe, associate, and published on the red knot on the clavichord as a symbol of love. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. London: Ashgate/Scolar Press, 2000, p. 60 (revised. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. Babette Bohn says that due to this, “it is less common to find 16th century artistic self portraits that explicitly identify their subjects’ artistic vocation.” (2) Palettes, brushes, drawings, and easels rarely appear. which could be re-hosted? Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. Los Angeles County Museum of Art, Los Angeles, CA. He is sorely missed. I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. Thank you for this interesting post about Fontana’s self-portraits. 2 (2004): 251-256. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . Emma Barker, Nick Webb, and Kim Woods (London: Yale University Press, 1999), 72-74. Please note: JavaScript is required to post comments. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! (14) It is clear that the portrait was influenced by Sofonisba Anguissola’s own Self Portrait Making Music with a Maidservent from 1561, but has also been compared to several other portraits of women at the keyboard. Your footnote no. Renaud Camus has uploaded 25646 photos to Flickr. Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? wide circle of his admirers. I think this Latin inscription is rather interesting, since it is indicative of the social situation for female Renaissance artists. I’ve included that citation in the footnote and updated it accordingly. 4 King, p. 67. I also miss the enthusiastic emails, comments, and tweets that he would write. She was born in Bologna, the daughter of Prospero Fontana, who was a painter of the School of Bologna. 5 Bohn, 254. I would like to examine two of these self-portraits, including my own ideas with those that have been previously presented by Catherine King and Babette Bohn.1 I think these two portraits are quite revealing in terms of what Fontana felt was important to communicate about herself. Re your note that Fontana was careful in how she had presented herself, in order to meet societal expectations. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s Self-Portrait from c. 1555, in which she modestly covers herself with a mirror (which she protectively places in front of her body like a shield). Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco.Fue una de las pintoras más importantes de su época, dirigió su propio taller [1] y fue pintora oficial de la corte del papa Clemente VIII.. 17 King, Catherine. 14 Simons, Patricia. 2012. It’s nice to hear from another art historian who loves Lavinia Fontana! Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. Renaud Camus has uploaded 25646 photos to Flickr. Protégée des papes Jules III, puis Grégoire XIII, la famille Fontana possède l’un des ateliers les plus en vue de Bologne. 28 déc. Hels says: October 6, 2014 at 1:53 pm. Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. 58.3 (1995): 381-406. Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. Quand elle épouse, en 1557, le peintre Gian Paolo Zappi, son talent est déjà reconnu et elle réalise les portraits de notables de Bologne.