As a model Valadon appeared in such paintings as Pierre-Auguste Renoir's 1883 Dance at Bougival and Dance in the City, and Henri de Toulouse-Lautrec's 1885 portrait. Valadon was well known during her lifetime, especially towards the end of her career. [6] She made a shift from drawing to painting starting in 1909. 207 likes. de 08h à 13h ; portes ouvertes virtuelles ou sur site sous réserve des conditions sanitaires. [16] Her work attracted attention partly because, as a woman painting unidealized nudes, she upset the social norms of the time. All Rights Reserved, Renoir’s Dancer: The Secret Life of Suzanne Valadon, The Valadon Drama: The Life of Suzanne Valadon, How do Women Look? 1991, Utrillo, Valadon, Utter: la Trilogie Maudite, Acropolis, Nice. There is no serpent in Valadon’s painting, though, and the figures seem weightless, appearing to be floating together. [36] Valadon married the stockbroker Paul Mousis in 1895, living with him for 13 years in an apartment in Paris and in a house in the outlying region. institut d'economie sociale familiale limoges. The Female Nude in the Work of Suzanne Valadon, Suzanne Valadon: Artist, Mistress, Model and Muse of Montmartre, Looking as Women: The Paintings of Suzanne Valadon, Paula Modersohn-Becker and Frida Kahlo, Discover the Overlooked 19th Century Montmartre Artist, Suzanne Valadon, Scalawags: Suzanne Valadon: Artist, mother, muse, and lover, Conflicted Selves: Women, Art, & Paris 1880-1914, The Female Avant-Garde: Challenging Ideas of Gender in Morisot’s Wet Nurse and Valadon’s Blue Room, Through the Eyes of the Artist: Suzanne Valadon, Maurice Utrillo Playing With a Slingshot (1895). Her initial works are observational, drawings of the scenes that were around her at the time, and in this case the subject is her son. Depicting one’s children is an interesting way for a woman to combine two roles that are often considered incompatible, that of being a mother and an artist. Art historian Heather Dawkins believed that Valadon's experience as a model added depth to her own images of nude women, which tended to be less idealized than the male post-impressionists' representations. She also exhibited in the Salon d'Automne from 1909, Salon des Independants from 1911; Salon des Femmes Artistes Modernes, 1933-1938. As one of the best documented French artists of the early 20th century, Valadon's body of work has been of great interest to feminist art historians,[39] especially given her focus on the female form. A novel based on the life of Suzanne Valadon was written by Elaine Todd Koren and was published in 2001, entitled Suzanne: of Love and Art. She was also the mother of painter Maurice Utrillo. Satie became obsessed with her, calling her his Biqui, writing impassioned notes about "her whole being, lovely eyes, gentle hands, and tiny feet", but after six months she left, leaving him devastated. Lycée Suzanne Valadon à Limoges Infrastructures de sports et loisirs Enseignement : social, paramédical Lycées d'enseignement général et technologique publics Enseignement supérieur public Lycées professionnels publics : adresse, photos, retrouvez les coordonnées et … This was the first painting in which Valadon placed her subjects in an outdoor rather than interior setting. [11][2], Valadon helped to educate herself in art by observing the artists at work for whom she posed. L’application GIE2000 a été développée avec Microsoft Access 97, en juin 2002 par une stagiaire en BTS Informatique de Gestion du Lycée Suzanne Valadon. This is an interesting painting in that it recalls similar scenes by the likes of Cezanne and Matisse. For other uses, see, "At MFA, dancing the night away in the arms of Renoir", "Passionate Discontent: Creativity, Gender and French Symbolist Art", "Inspired by Art Herstory: Suzanne Valadon's "The Blue Room" (1923)", "Toilette de deux enfant dans le jardin - Suzanne Valadon", https://www.metmuseum.org/art/collection/search/461643, "Women, Suzanne Valadon ^ Minneapolis Institute of Art", https://www.mba-lyon.fr/fr/fiche-oeuvre/marie-coca-et-sa-fille, "Suzanne Valadon | National Museum of Women in the Arts", "Suzanne Valadon: The Mistress Of Montmartre", http://www.oxfordartonline.com/subscriber/article/grove/art/T087579, https://archive.org/details/valadondramathel027482mbp, Claude Monet Painting in His Garden at Argenteuil, Portrait of Irène Cahen d'Anvers (La Petite Irène), Portrait of Ambroise Vollard in a Red Headscarf, https://en.wikipedia.org/w/index.php?title=Suzanne_Valadon&oldid=996717627, Members of the Ligue de la patrie française, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Valadon frequented the bars and taverns of Paris with her fellow painters, and she was Toulouse-Lautrec's subject in his oil painting The Hangover. By Jeanine Warnod (Author), Shirley Jennings (Translator), By Rosemary Betterton / In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. [6] She produced mostly drawings between 1883 and 1893, and began painting in 1892. Valadon spent nearly 40 years of her life as an artist. This painting was made during a highly productive period for Valadon when she had just met the young André Utter. The main difference in Valadon’s picture stems from her inclusion of the male figure to the side, for which her lover, Andre Utter, was the model. Suzanne Valadon (23 September 1865 – 7 April 1938) was a French painter and artists' model who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. What is revealed is very interesting because the genre of portraiture is generally transformed, no longer a vehicle to communicate status and wealth, but rather an opportunity to reflect on identity and the workings of human psychology. Drawings by Albert Besnard, Andre Barbier, Henri Edmond C ross, Jean-Louis Forain, Eva Gonzales, Marie Laurencin, Maximilien Luce, and Georges Rouault. I paint with the same obstinacy that I use, less vigorously, in my daily existence.”", "“My work … is finished and the only satisfaction I gain from it is that I have never surrendered. Site internet de l'école Contact Autres formations Ecoles, enrichissez votre fiche ! Throughout her career, Valadon returned to self-portraiture. Pronotes. Suzanne Valadon died of a stroke[48] on 7 April 1938, at age 72, and was buried in the Cimetière de Saint-Ouen in Paris. Valadon was the basis for the character Suzanne Rouvier in the novel The Razor's Edge by W. Somerset Maugham.[50]. Burns / Lycée Suzanne Valadon Limoges, 87, Haute-Vienne - Onisep.fr : informations détaillées et formations proposées par cet établissement (Lycée) [14] In 1885, Renoir painted her portrait again as Girl Braiding Her Hair. [31] She has been considered a transgressor as a woman painting the nude female body. Through this connection she began work at the Mollier circus as an acrobat until she fell from a trapeze after a year of work. Evènements Ajouter. Due to the combined quality of her artwork and groundbreaking treatment and representation of the female nude Suzanne Valadon is considered one of the greatest early female artists. Valadon differed from her female contemporaries. conseils de classe des secondes. Alice Neel painted both her children and grandchildren as available models and thus as a practice born of necessity. The circus was frequented by artists such as Lautrec, Sescau and Berthe Morisot and this may be where Morisot did her painting of Valadon. May 17, 2017, By Janet M.C. Nous remercions par avance les élèves et les parents de bien vouloir vérifier que la tenue portée est conforme avant de se présenter au lycée. Palmarès du Lycée Suzanne Valadon Vous trouverez le détail de cette formation de niveau Bac + 2 dans le secteur Informatique, traitement de l'information, réseaux de transmission. LP Suzanne Valadon, Paris (75) : retrouver toutes les informations du lycée sur le site de Letudiant.fr dont l'effectif, matières et cursus de l'établissement. Low price guarantee, fast shipping & free returns, and custom framing options on all prints. Timberlake Wertenbaker's play, The Line (2009), traces the relationship between Valadon and Degas. [7], Valadon debuted as a model in 1880 in Montmartre at age 15. lycee polyv. She never attended the academy and was never confined within a tradition.[2]. She was a model and a dear friend to some of the most famous artists of a generation, as well as a groundbreaking artist in her own right. Dcg-Dscg Valadon. She preferred to paint working-class models. Atlantis, Vol. Etablissement - Lycée Suzanne Valadon. Typically with a look of defiance and a slight scowl, Suzanne Valadon lived and worked at the absolute epicenter of artistic Paris in its heyday. She doubled as a muse and an artist. Opinions sur Lycée professionnel Suzanne Valadon de PARIS . This is not a painting about fantasy or flirtation, but about the physical yearning for sexual connectivity, importantly experienced by both men and women. The nearly life-sized painting depicts Valadon as Eve and Utter as Adam, the original lovers in the paradise of the Garden of Eden. Kathe Kollwitz did a similar thing and since Valadon, more and more women have drawn, painted, and photographed their children as a way to be artists and at the same time care for their children and maintain domestic balance. [25] In her lifetime, Valadon produced around 273 drawings, 478 paintings, and 31 etchings, excluding pieces given away or destroyed.[26]. Lycée professionnel SUZANNE VALADON 7 RUE FERDINAND FLOCON 75018 Paris 01 53 09 22 19 https://lyc-suzannevaladon.ac-paris.fr Nous contacter Voir le plan. Overall, the painting makes the fact that people fall in love and have sex a much more public and real idea than convention at the time. Both an asteroid (6937 Valadon) and a crater on Venus are named in her honor. Suzanne Valadon: List of works - All Artworks by Date 1→10. Many of her nudes painted from the 1910s onwards are heavily proportioned and sometimes awkwardly posed. She began working at age 11 in a variety of areas including a milliner's workshop, a factory making funeral wreaths, a market selling vegetables, a waitress, and then finally in the circus. I have never betrayed anything that I believed in.”", "“The purpose of my life: equilibrium.”", "“It seized me so young, at eight years old I wrote down what I saw, I wanted to grasp and demonstrate [the reality of] the trees and limbs so that I could keep hold of them.”". I took the best of them of their teachings, of their examples. In this respect she differed from Berthe Morisot and Mary Cassatt, who painted mostly women, but "remained well within the bounds of propriety in their subject matter" because of their upper-middle-class status in French society. [20] Valadon's first time in the Salon de la Nationale was in 1894. Le SGBDR (Système de Gestion de Bases de Données Relationnelles) Microsoft These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet. [29] In 1909, Valadon began an affair with the painter André Utter, the 23-year-old friend of her son, divorcing Moussis in 1913. Valadon’s portraits are based on real emotions and actual physical experience; they encourage women to look for themselves and to reclaim their own viewpoint. A deep and penetrating awareness of self seemed to flow as a strong wave across the early-20. Lycée Suzanne Valadon. Valadon may be referencing her own relationship here - that of an older woman and much younger man - he as the forbidden fruit, and she, with the confidence to take him. Among those in attendance at her funeral were her friends and colleagues André Derain, Pablo Picasso, and Georges Braque. Elle a ensuite été retravaillée par Monsieur CUBAUT pour en arriver à son état actuel. Like Schiele, Valadon was driven by passions from within - an energy and life force. [19] In 1895, the art dealer Paul Durand-Ruel exhibited a group of twelve etchings by Valadon that show women in various stages of their toilettes. [27] Valadon's marginalized status allowed her to enter the male domain of art through modeling, and her lack of formal academic training may have made her feel more comfortable breaking with convention. Les classes préparatoires aux DCG et DCSG du lycée Suzanne Valadon de Limoges Filière expertise comptable (Classes préparatoires à l'expertise comptable) [6] Later, she regularly showed at Galerie Bernheim-Jeune in Paris. Bonjour Paris / Si vous avez été ou êtes encore étudiant, enseignant, travailleur ou avez eu tout autre contact avec Lycée professionnel Suzanne Valadon de PARIS, vous pouvez commenter sur les opinions, expériences, critiques, observations, etc. Liens utiles Ajouter. [Internet]. The brash color of her early canvases anticipated the Fauvist movement … [23], In 1896, Valadon became a full-time painter after her marriage to the well-to-do banker Paul Mousis. It was also the first painting exhibited by a female artist to show a nude man and woman together, and not merely any man or woman, but the artist and her lover (albeit in the guise of religious art). Laissez votre ☆ avis 1911, the first, at the Galerie Clovis Sagot; 1915, 1919, 1927 (retrospective) and 1928, Galerie Berthe Weill, Paris; 1922, 1923 and 1929, Galerie Bernheim-Jeune, Paris; 1931 and 1932, Galerie Le Portique, Paris; 1938, 1942, 1947, 1959 and 1962, Galerie Pétridès, Paris; 1996, Suzanne Valadon, Pierre Gianada Foundation, Martigny. February 25, 2013, By Art Historian Vida Hull, East Tennessee State University. Lycée Suzanne Valadon; Lycée Suzanne Valadon. An earlier novel by Sarah Baylis, entitled Utrillo's Mother, was published first in England and later in the United States. [4] At the age of 15 Valadon met Count Antoine de la Rochefoucauld and Thèo Wagner, two symbolist painters who were involved in decorating a circus belonging to Medrano. After her death: 1940, 22nd Biennale Internationale des Beaux-Arts, Paris; 1949, Great Trends in Contemporary Painting from Manet to our Day, Albi; 1991, Utrillo, Valadon, Utter, Chateau Constant, Bessines. [2] She was considered a very focused, ambitious, rebellious, determined, self-confident, and passionate woman. Écoles, enrichissez votre fiche ! She was also the mother of painter Maurice Utrillo. Indeed, the style and energy of Valadon’s mark making is most comparable at this point with the work of Egon Schiele. She had fallen in love again and as such felt a surge in creativity and began to paint rather than draw much more. [1] The subjects of her drawings and paintings, such as Joy of Life (1911), included mostly female nudes, female portraits, still lifes, and landscapes. regional alienor d'aquitaine. Portrait of the Painter Maurice Utrillo, 1921, Still Life with Tulips and Fruit Bowl, 1924, Still Life with Basket of Apples Vase of Flowers, 1928, Suzanne Valadon, Autoportrait, huile sur carton marouflé sur bois, Profile portrait of Suzanne Valadon, by Renoir, 1885, Portrait of Suzanne Valadon, 1885, by Henri de Toulouse-Lautrec, The Hangover (Suzanne Valadon), by Henri Toulouse-Lautrec, c. 1888, "Valadon" redirects here. Unlike other women artists at the time Valadon rejected examples of a light and feathered “feminine” brushstroke, and instead experimented with bold and definitive lines, more typically considered to be “masculine”. See more ideas about painting, post impressionists, artist. 1920, Second Exhibition of Young French Painting, Galerie Manzy Joyant, Paris; from 1933-1938 and regularly, Salon des Femmes Artistes Modernes, Paris. ©2021 The Art Story Foundation. [29] Her later works, such as Blue Room (1923), are brighter in color and show a new emphasis on decorative backgrounds and patterned materials. Besoin de conseils pour choisir ta formation ? March 1, 1985, By Marilyn Brower / 18, Nos 1 & 2, 1992-1993, By Stephanie Carwin / 03/10/2016. [12] Valadon's friend Miguel Utrillo would later sign papers recognizing Maurice as his son, although his true paternity is uncertain. [28] She worked primarily with oil paint, oil pencils, pastels, and red chalk; she did not use ink or watercolor because these mediums were too fluid for her preference. Lycée Suzanne-Valadon, Limoges (87) : retrouvez sur Letudiant.fr toutes les informations pratiques pour Lycée Suzanne-Valadon, ainsi que les formations proposées. Lycée Suzanne Valadon, lycée général et technologique public à Limoges (87000) : enseignements en seconde, première et terminale, adresse, téléphone... retrouvez toutes les informations utiles sur ce lycée général et technologique public [27] Her works are in the collection of the Centre Georges Pompidou in Paris, the Museum of Grenoble, and the Metropolitan Museum of Art in New York, among others. 39 rue François Perrin 87000 Limoges Cedex - 3473 inscrits (Plus d'infos sur l'école) Académie de Limoges - Zone B Code UAI : 0870019Y. Valadon was not confined to a specific style, yet both Symbolist and Post-Impressionist aesthetics are clearly seen within her work. Pierre Auguste Renoir, Georges Rouault, Ker Xavier Roussel, Paul Signac, Henri Toulouse-Lautrec, Suzanne Valadon, Maurice de Vlaminck, James A. McNeill Whistler, and others. Thus she has become an important role model for following generations of female artists. This began a prolific period for Valadon, in which she started to paint more than draw, and to produce more paintings of nudes. PRONOTE Page d'accueil - LYCEE SUZANNE VALADON POLYVALENT - LIMOGES (087) - gestion des notes, absences, punitions, cahier de textes pour les établissements scolaires. This is not an ideal fantasy, even though presented in a biblical guise; the painting speaks of the meeting of fleshy bodies in a way that prior to this was unheard of. Here there is no mistaking that what we are dealing with - desire, libido, and sex. Lycée Suzanne Valadon Découvrez la fiche formation BTS Services informatiques aux organisations option A solutions d'infrastructure, systèmes et réseaux. They are conspicuously at odds with the svelte, 'feminine' type to be found in the imagery of both popular and 'high' art.[31]. [35], In 1893, Valadon began a short-lived affair with composer Erik Satie, moving to a room next to his on the Rue Cortot. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. Présentation : Lycée Suzanne Valadon Lycée public, le Lycée Suzanne Valadon se trouve dans la ville de Limoges (Académie de Limoges). At the top of the funicular, and less than 50 meters to its east, are the steps named rue Maurice Utrillo after her son the artist. La journée porte-ouverte suivante aura lieu le 06/03/2021. 09/12/2020. The small square at the base of the Montmartre funicular in Paris is named Place Suzanne Valadon. Titian, Renoir, and Paul Gauguin have also painted such a scene and Valadon was familiar with all of these precedents. She attended a convent school for a few years before taking a job in a milliner's workshop at a… [24] Her first large oils for the Salon related to sexual pleasure, and they were some of the first examples in painting for the man to be an object of desire by a woman. [29] Valadon's paintings feature rich colors and bold, open brushwork often featuring firm black lines to define and outline her figures.[1]. [13], The most recognizable image of Valadon is in Renoir's Dance at Bougival from 1883, the same year that she posed for Dance in the City. Lycée professionnel Suzanne Valadon, lycée professionnel public à Paris (75018) : enseignements en seconde, première et terminale, adresse, téléphone... retrouvez toutes les informations utiles sur ce lycée professionnel public "Suzanne Valadon Artist Overview and Analysis". [5], It is commonly believed that Valadon taught herself how to draw at the age of nine. The painting was originally completed without the leaves covering Utter’s genitals, but they were added later in order to avoid scandal and to enable exhibition of the work in the Salon of 1920. Le lycée Suzanne VALADON est un lycée professionnel du 18e arrondissement de Paris. There is a very strong sense in all of Valadon’s work that she seeks to demystify sex and to present passion and libido as common experiences shared by all. / The Culture Trip November 28, 2016, By Catherine Hewitt / Her first models were family members, especially her son, mother, and niece. Far from evoking a utopian harmony of woman and nature suggested by, for example, Matisse or Gauguin, Valadon’s robust and sharply outlined women suggest a more ambiguous, dislocated relationship with both nature and the male spectator.”, Content compiled and written by Lisa Marder, Edited and revised, with Summary and Accomplishments added by Rebecca Baillie, "“I had great masters. lycee suzanne valadon limoges n° finess 870007119 n° siret 198 700 197 00017 date d'ouverture 04/04/1904. [37] Valadon married Utter in 1914,[6] and he managed her career as well as her son's. [18] Her earliest known female nude was executed in 1892. Janet Burns writes in her paper, Looking as Women: The Paintings of Su… [21] Degas was notably the first person to buy drawings from her,[22] and he also introduced her to other collectors, including Paul Durand-Ruel and Ambroise Vollard. Valadon grew up in poverty with her mother, an unmarried laundress in Montmartre;[3] she did not know her father. [8] She modeled for over 10 years for many different artists including Pierre-Cécile Puvis de Chavannes, Théophile Steinlen, Pierre-Auguste Renoir, Jean-Jacques Henner, and Henri de Toulouse-Lautrec. Known to be quite independent and rebellious, she attended primary school until age 11. ... Suzanne Valadon (1865 -1938) (13) Tadeusz Makowski (1882-1932) (1) Taisia Kirillovna Afonina (1913-1994) (1) Women are presented as active equals also in possession of the hungry gaze. We would like to show you a description here but the site won’t allow us. institut regional du travail social (irts) poitiers. Born Marie Clementine Valadon, the illegitimate daughter of a Parisian laundress, she was a trapeze artist and a model for Renoir, Degas and Toulouse-Lautrec before turning to painting. Nuvo Magazine / [9][10] For two years, she was Toulouse-Lautrec's lover until her attempted suicide in 1888. Source / Professor and art historian Gill Perry writes in The Concise Dictionary of Women Artists, “These female figures seem strangely separate from each other, from the male viewer and from the nature that surrounds them. Suzanne Valadon, pseudonyme de Marie-Clémentine Valadon1, née le 23 septembre 1865 à Bessines-sur-Gartempe (Haute-Vienne) et morte le 7 avril 1938 à Paris, est une artiste peintre française. [12] In the early 1890s, she befriended Edgar Degas who, impressed with her bold line drawings and fine paintings, purchased her work and encouraged her; she remained one of his closest friends until his death. Whether or not it was her intention, Valadon adds food for thought to theoretical debates surrounding the subject of attraction between men and women and the politics of looking addressed later in the century (by the likes of Simone de Beauvoir, John Berger, and Laura Mulvey). [15], Valadon began painting full-time in 1896. Her mother, Madeleine Valadon, worked as a sewing maid; the identity of her father was not known. Valadon was central to the art world in France at the time - in this 1885 portrait she is just about 20 years old, and already inspiring the likes of Henri de Toulouse-Lautrec. The books and articles below constitute a bibliography of the sources used in the writing of this page. [30] The subjects of Valadon's paintings often reinvent the old masters' themes: women bathing, reclining nudes, and interior scenes. The Daily Mail / autres centres les plus proches. Contactez ☎ Lycée Suzanne Valadon Limoges, 39 Rue François Perrin avec ⌚ horaires d'ouverture, itinéraire, email et coordonnées. Suzanne Valadon (23 September 1865 – 7 April 1938) was a French painter and artists' model who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. She forged a career in a man’s world, challenged the conventions of the nude, and carved a new critical space in which to consider a woman’s body. Lycée Suzanne Valadon 39 rue François Perrin 87000 Limoges - (Académie de Limoges) French Painter, Printmaker, and Artists’ Model. [6] In the Montmartre quarter of Paris, she pursued her interest in art, first working as a model for artists, observing and learning their techniques, before becoming a noted painter herself. [32] She resisted typical depictions of women via their class and supposed sexuality through her use of unidealised and self-possessed bodies that are not overly sexualised. [38] Valadon and Utter regularly exhibited work together until the couple divorced in 1934.[38]. Shop Art.com for the best selection of Suzanne Valadon wall art online. [33] She also painted many nude self-portraits across the span of her career, the later of which displayed her aging body. Bac +1/2 RNCP III BTS Limoges Source digiSchool - 2017. [49] See also Suzanne Valadon. Another of his portraits of her in 1885, Suzanne Valadon, is of her head and shoulders in profile. According to Hewitt, “The couple, Suzanne confessed, were caught in a timeless paradise and they were both responsible for their sin." A 16 ans, John Unger, fils adoré d’une bonne famille d’une petite ville du Mississipi, nommée Hadès, est envoyé à St-Midas près de Boston, dans le lycée le plus cher et le plus sélect du monde. Ancien établissement lié à la mairie de Paris, le lycée Suzanne VALADON est depuis la rentrée 2014 un EPLE (établissement public local d'enseignement) géré par la région Ile de France. Valadon was born Marie Clémentine Valadon on September 23, 1865, in the small town of Bessines, located in northeastern France. Les élèves du lycée Suzanne Valadon doivent se présenter en tenue professionnelle tous les lundis. Lycée Suzanne Valadon. (Later in life, Valadon claimed her date of birth was July 23, 1867, although this date is not supported by records.) Biography of Suzanne Valadon Valadon was central to the art world in France at the time - in this 1885 portrait she is just about 20 years old, and already inspiring the likes of Henri de Toulouse-Lautrec . Lycée Suzanne Valadon, consultez les avis ainsi que le nombre d'élèves et d'enseignants, les résultats, les options et les coordonnées. [17], Valadon's earliest surviving signed and dated work is a self-portrait from 1883, drawn in charcoal and pastel. Previously women in such scenes were portrayed languidly displaying themselves without the pointer as to where and to what the sexy poses would lead. These notable Salon paintings include Adam and Eve (Adam et Eve) (1909), Joy of Life (La Joie de vivre) (1911), and Casting the Net (Lancement du filet) (1914). [1] She modeled under the name "Maria" before being nicknamed "Suzanne" by Toulouse-Lautrec, after the biblical story of Susanna and the Elders as he felt that she especially liked modeling for older artists. Suzanne Valadon (23 September 1865 – 7 April 1938) was a French painter and artists' model who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France.In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts.She was also the mother of painter Maurice Utrillo.. Valadon spent nearly 40 years of her life as an artist.